#1 Bibliographic Information
Wisniewski, D. (1996). Golem. New York: Clarion Books.
#2 Summary
In Medieval Prague, Jewish people are being mercilessly persecuted. There seems to be no escape, until Rabbi Loew forms Golem, a man of clay. Golem is given one solitary purpose: to protect the Jews--when his service is finished, Golem is warned that he will be returned to clay. Golem performs his service admirably and demolishes a mob of persecutors while defending the Jews. Yet when Golem's job is done, Rabbi Loew, true to his word, demolishes Golem, even while the giant begs to be spared.
#3 Reaction
At first, I was very hesitant in accepting that this book was for children. It probably didn't help that my nephew, who's 3, and happened to be looking through my stack of class books, saw the cover of this one, and said, "this one's too scary", as though he was criticizing my reading selections. He was, however, very intrigued by the cover, and kept asking me to read it to him, which I refused to do, because of his age. Upon reflection, I actually think that this is a very interesting retelling of this legend (although probably not one for a toddler). Sometimes I think adults underestimate the mental capacities of children, but I think, depending on the child, intense stories are more likely to affect and teach children. How the child is affected--scared, disturbed, curious, or sympathetic--depends on the child, and I wouldn't recommend this book to every parent. First of all, I can imagine children asking all kinds of history and culture questions ("why were they doing that to those people?" "what does Rabbi mean?" "what's matzoh?" "what's passover?") which might catch the parent a little off guard, and in for a longer storytime than intended.
Also, I was truly moved by the illustrations, which are so roughly cut and dark that they multiply the feelings of fascination, despair, and sympathy by a thousand.
#4 Reviews for Golem
Review #1
A monumental story of good and evil — and the gray areas in between — receives a dramatic presentation through Wisniewski's intricately cut colored-paper collage. The story takes place in sixteenth-century Prague, where Jews are being attacked mercilessly following the general acceptance of the "Blood Lie," a rumor that Jews are making their Passover bread from flour, water, and the blood of Christian children. To protect his people, Rabbi Loew decides to invoke the Golem, a giant made of clay. After creating the giant, the rabbi places the word emet (truth) on Golem's forehead. Every night Golem leaves the walled Ghetto, catching the men planting false evidence of the Blood Lie, and delivering them to the authorities. When Golem grows larger and more violent, killing many of his enemies, the emperor guarantees the Jews' safety if the rabbi will destroy Golem. Golem tries to hold on to his animated state, but the rabbi erases the first letter from the word on his forehead, changing emet (truth) to met (death), and Golem collapses into a mound of clay. Despite his violence, Golem is a sympathetic character; like King Kong or the monster in Mary Shelley's Frankenstein (which this legend may have influenced), Golem is young and innocent, with a childlike ability to love and trust. The crisply cut colored-paper illustrations have been painstakingly created to show both small details and large landscapes. At times, some fussy detailing can distract the eye away from the main action, but not enough to dilute the power of the central character or the story. An extensive note provides origins and variations of the legend.
--Robinson, L. (1997). Golem. Horn Book Magazine (73)2, 208.
Review #2
Elaborately composed cut-paper spreads give a 3D, puppet-show-like quality to a retelling of a Jewish legend. Rabbi Loew has a prophetic vision in 1580 when the Jews of Prague are accused of mixing the blood of Christian children into matzoh: he must create a Golem, "a giant of living clay, animated by Cabala, mystical teachings of unknown power." Brought to life with apocalyptic explosions of steam and rain, the Golem seeks out the perpetrators of the Blood Lie and turns them over to the authorities. Thwarted, the enraged enemies of the Jews storm the gates of the ghetto, but the Golem grows to enormous height and violently defeats them with their own battering ram. Once his work is done, he pitifully (and futilely) begs the Rabbi: "Please let me live! I did all that you asked of me! Life is so... precious... to me!" Wisniewski (The Wave of the Sea Wolf) emphasizes the Golem's humanity and the problems with his existence; instead of reducing the legend to a tale of a magical rescuer, the author allows for its historical and emotional complexity. The fiery, crisply layered paper illustrations, portraying with equal drama and precision the ornamental architecture of Prague and the unearthly career of the Golem, match the specificity and splendor of the storytelling. An endnote about the history and influence of the legend is particularly comprehensive. Ages 6-10. (Oct.)
--Golem. (1996). Publishers Weekly (243)43, 83.
#5 Suggestions for Library Use
The themes of this book--persecution, heroism(?)--and its historical fiction genre, make it a perfect centerpiece for a theme on heroes, factual or fictional, in different cultures. How to use this theme, however, is not so obvious. Of course, a storytime would be fine, but puppets and crafts don't seem to exactly fit the intensity of the message. Perhaps this book could be featured in a special class for kids and their parents on Jewish culture and history, with other, lighter informational subject material taking part. Perhaps kids could learn how to make matzoh or make dreidels, learn significant facts about Jewish history (where Golem, and other books would come in) while an authority on Jewish culture answered all of their curious questions.
#2 Summary
A Tree is Nice describes all that trees do for us: they provide a beautiful landscape, food, shade and shelter, rest and entertainment. In addition, the illustrations show us how we daily enjoy the benefits of trees; a reminder, certainly, of why a tree is nice.
#3 Reaction
After Golem, A Tree is Nice was underwhelming. I appreciate the message it sends about loving nature, specifically trees, and what they do for us, and I think children can relate to all of the wonderful pictures of children enjoying trees (playing on them, and in their leaves, picking apples, resting in the shade, etc.)--most children have done at least one of these things, and the story really makes you think what you would be missing without trees. And although it's not the kind of book that stays with you in the same way Golem does, it's probably intended for a younger age group. Still, the language of A Tree is Nice doesn't seem to flow very well, and in my opinion, could use a little spicing up--can I get some millions and billions and trillions of trees?! It's a good message, but I think the text could be a little more interesting.
#4 Reviews for A Tree is Nice
Review #1
#4 Reviews for A Tree is Nice
Review #1
This book tells the young reader why a tree is a good thing to have around because among many things trees provide food, shade, places for a tree houses, and places to hide from dogs. The illustrations occupy most of the pages, which alternate between full color and black and white. While the book is enjoyable and informative, the use of the four-letter word "nice"--is one that is overused in this text.
--Mary Sue Preissner (Children's Literature). Retrieved from Children's Literature Comprehensive Database, April 7, 2011.
Review #2
It won the Caldecott Medal in 1956 - but the pictures are timeless. Marc Simont illustrated two of James Thurber's books, according to the book's jacket, and had also written and illustrated several books of his own. For "ATree is Nice," he teamed up with Janice May Udry, who grew up in "a city famous for its elm trees." After leaving Jacksonville, Illinois, she'd moved to the south, where she searched for a beautiful tree that could grow quickly - and for Simont's next project, she wrote about trees.
"Trees are very nice," the book begins. "They fill up the sky." But it's not a story as much as an open-ended meditation. Simont draws a boy fishing in a stream, as Udry writes that trees are found by rivers, and also on hills. "Trees make the woods," she writes simply, and feels compelled add a personal response. "They make everything beautiful."
There's a sketch of a child in the crook of a tree's branch, and a title page illustration that looks like a cartoon. Throughout the book, Simont switches between color and black-and-white white illustrations, which makes each drawing a little more surprising. There's a horse in the shadow of a tree, with the white page representing a bright field. And the next page shows brilliant autumn colors, with reds and yellows in the leaves of the trees.
Udry lists out the things you can do with a tree. You can play in a pile of leaves, or rake them into a bonfire. You can climb it, or pretend it's a ship, and if it's an apple tree, pick it's fruit! "Cats get away from dogs by going up the tree," Udry adds "Birds build nests in trees and live there." They're all facts that we've heard before, but it's strangely ompelling to see them collected together.
"Sticks come off the trees too. We draw in the sand with the sticks." The book has a simplicity that's almost zen-like, as Udry simply continues listing out the uses for a tree. "A tree is nice to hang a swing in... It is a good place to lean your hoe while you rest." It's a fond book, and enthusiastic - and Udry resists the pressure to dream up a story. It takes a certain amount of integrity to simply share all the details, and let the trees speak for themselves.
There's three pages about shade - with trees sheltering cows, houses, and even people on a picnic. "The tree holds of the wind and keeps the wind from blowing the roof off the house..." But the secret agenda of the book lies in its final pages, saying that a tree is nice...to plant.
Udry ultimately says that planting a tree makes other people want to plant one themselves.
--Zilla, M. (2009). Book reviews: a tree is nice, by Janice May Udry. Retrieved from:
http://www.helium.com/items/1369116-caldecott-medal-winner-childrens-book-about-trees.
#5 Suggestions for Library Use
A Tree is Nice would be a perfect book to use in the spring, or fall, when the effect of trees is most powerful. It could be read as part of a program teaching kids to enjoy nature--perhaps a library-hosted nature hike, or a trip to an apple orchard, if one is near.
--Mary Sue Preissner (Children's Literature). Retrieved from Children's Literature Comprehensive Database, April 7, 2011.
Review #2
It won the Caldecott Medal in 1956 - but the pictures are timeless. Marc Simont illustrated two of James Thurber's books, according to the book's jacket, and had also written and illustrated several books of his own. For "ATree is Nice," he teamed up with Janice May Udry, who grew up in "a city famous for its elm trees." After leaving Jacksonville, Illinois, she'd moved to the south, where she searched for a beautiful tree that could grow quickly - and for Simont's next project, she wrote about trees.
"Trees are very nice," the book begins. "They fill up the sky." But it's not a story as much as an open-ended meditation. Simont draws a boy fishing in a stream, as Udry writes that trees are found by rivers, and also on hills. "Trees make the woods," she writes simply, and feels compelled add a personal response. "They make everything beautiful."
There's a sketch of a child in the crook of a tree's branch, and a title page illustration that looks like a cartoon. Throughout the book, Simont switches between color and black-and-white white illustrations, which makes each drawing a little more surprising. There's a horse in the shadow of a tree, with the white page representing a bright field. And the next page shows brilliant autumn colors, with reds and yellows in the leaves of the trees.
Udry lists out the things you can do with a tree. You can play in a pile of leaves, or rake them into a bonfire. You can climb it, or pretend it's a ship, and if it's an apple tree, pick it's fruit! "Cats get away from dogs by going up the tree," Udry adds "Birds build nests in trees and live there." They're all facts that we've heard before, but it's strangely ompelling to see them collected together.
"Sticks come off the trees too. We draw in the sand with the sticks." The book has a simplicity that's almost zen-like, as Udry simply continues listing out the uses for a tree. "A tree is nice to hang a swing in... It is a good place to lean your hoe while you rest." It's a fond book, and enthusiastic - and Udry resists the pressure to dream up a story. It takes a certain amount of integrity to simply share all the details, and let the trees speak for themselves.
There's three pages about shade - with trees sheltering cows, houses, and even people on a picnic. "The tree holds of the wind and keeps the wind from blowing the roof off the house..." But the secret agenda of the book lies in its final pages, saying that a tree is nice...to plant.
Udry ultimately says that planting a tree makes other people want to plant one themselves.
--Zilla, M. (2009). Book reviews: a tree is nice, by Janice May Udry. Retrieved from:
http://www.helium.com/items/1369116-caldecott-medal-winner-childrens-book-about-trees.
#5 Suggestions for Library Use
A Tree is Nice would be a perfect book to use in the spring, or fall, when the effect of trees is most powerful. It could be read as part of a program teaching kids to enjoy nature--perhaps a library-hosted nature hike, or a trip to an apple orchard, if one is near.



